Stage design is for me a kind of philosophy, written with form, color and image instead of words – I was always fascinated with idea, that spacial concepts represent a certain understanding of the world. Scenography defines persona played by an actor, just like space defines us as the people – geometry organizes the Universe, brings it for us out of the chaos and leads us towards harmony and comprehension of being.

I started to work as a stage designer when I was still studying theatre science, and was especially interested in semiotics and cognitive aspect of theatre theory. During stage design studies I rediscovered geometry, which is now for me the unfailing source of inspiration. Maybe that is why scenography stays for me always between art and science. I always try to combine those two factors in my work, and I try to remember, that in order to be able to communicate with the audience I need to know the language of the form and operate it also on a deeper, subconscious level.